MARINA ADAMS

In modulating intense hues Marina Adams’ (b. 1960) abstract paintings explore pattern as a language that exceeds boundaries. Finding similarities in such diverse cultural output as American Southwest pottery, North African weavings and mosaics, and ancient Egyptian architecture, she reconceives designs as radiant arrangements of color. “We can see pattern in the most basic things,” she has explained, “it’s in basic truths that we can find communion.” Her canvases feature fields of interlocking shapes, both biomorphic and geometric, that appear to flex, expand and contract in their assigned colors. The artist, who is based in New York and Parma, Italy, invests in the physicality of painting, making her process visible in the work itself. Animated by a steady, dynamic energy, she conveys immense experiences with pared down means, much like her forebears Agnes Martin, Alma Thomas and Hilma af Klint. The artist’s work is in the collections of the Museum of Modern Art, New York (US); the Modern Art Museum of Fort Worth of Texas (USA); the Metropolitan Museum of Art, New York (USA) and the Longlati Foundation, Shanghai (CN). Adams is the recipient of a John Simon Guggenheim Memorial Fellowship (2016) and the Award of Merit Medal for Painting from the American Academy of Arts and Letters (2018).